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  the history of clowning  

  - one of the earliest recorded performances were that of the imperial court jesters in China. emporer Shih Huang-Ti (around 300 B.C.), who oversaw the building of the Great Wall of China, had a jester named Yu Sze. despite many people dying during the construction of the wall, the emporer was considering having the wall painted as well. realizing how detrimental this decision would be to his people, Yu Sze was the only person brave enough to criticize it (through jest); the emporer promptly decided to abandon this plan.
  - Aztec king Montezuma also had jesters for his court; when Cortez conquered the Aztec nation in 1520 A.D. he brought many of these jesters back to Pope Clement VII, noticing that they had many similarities to the ones in Europe.
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brought to English performances and made the star of the show. he would be put into crazy situations such as being chased by police, and was given a stick that he could hit to magically change the scene. if you hadn't guessed, this is where the comedic term 'slapstick' came from. these performances are also where the first whiteface clown, the Pierrot, made an appearance.
it is believed that he derived it from the Danish word 'klunni', meaning clumsy or cloddish. Yorick, a court jester mourned by Hamlet in the famously tragic play, was one character that Shakespeare dubbed a clown:
bad at riding horses, but attempts to do so anyway because he wants to go vote in the election. it involved the clowns riding, and falling off of, a trained horse during these performances and can still be seen in some circuses today.
  - one of the biggest names in clowning history is Joseph Grimaldi (1778-1837), as all clowns are nicknamed 'Joey' in honor of him. he is considered to be the first whiteface clown because he popularized the look that most clowns base their makeup on to this very day. he was strictly a theatrical clown and gained wide fame in london for his ability to contort his face in a comedically exaggerated fashion, paired with his fittingly striking and melodromatic face paint and elevation of slapstick humor. his son, also named Joey, followed in his footsteps on theatrical clowning and sometimes performed with his father. both father and son also performed in blackface, which was common at the time, several times to depict the character 'Friday' from Robinson Crusoe.
a lot of sites detailing clown history tend to shy away from this topic, but i personally think it's important to be informed about rather than sweeping it under the rug. clowns performing in blackface can be dated back to at least 1769, with 'Minstrel shows' gaining popularity around 1830 in both England and America. these performers claimed that they were simply acting out what they had observed from black slaves, but it was clear that their acts and makeup were heavily exaggerated to play into current stereotypes. for example, minstrel clowns wore oversized shoes because of the stereotype that black people have big feet. if you would like to read and learn more about this, you should absolutely check out this article by Bruce Johnson, a.k.a. Charlie the Juggling Clown.
he was known for wearing very patriotic red, white, and blue costumes covered in stars and stripes. he wrote many songs and campaigned for Zachary Taylor's presidency, even inviting him to ride on the circus bandwagon. this is supposedly where the phrase "jumping on the bandwagon" came from, as other politicians would also try to hop on in hopes that it would boost their votes. some more interesting things about Rice are that he claimed to be close friends with Abraham Lincoln, he was an active philanthropist, and it is said that he is the only person in history to present a tightrope-walking elephant in a circus act.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

